No. 14 (1976): Contact: A Journal for Contemporary Music

View No. 14 (1976): Contact: A Journal for Contemporary Music

DOI: https://doi.org/10.25602/GOLD.cj.v0i14

Published: 1976-09-01

Full Issue

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Articles

Music and Society - 1: ‘Serious’ Music — an ‘A-social’ Phenomenon?

John Shepherd
- PDF
Howard Riley and ‘Non-Jazz’

Malcolm Barry
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Interview with John Cage

Alan Gillmor
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Electronic Music Studios in Britain - 3: University of Durham

Peter Manning
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Review of Milko Kelemen: Olifant, Milko Kelemen: Abecedarium, Gerhard Holzer: Concerto, Joseph Schwantner: Consortium, and Krzystof Meyer: Concerto da Camera

John Casken
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Review of Birtwistle: The Triumph of Time

Keith Potter
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Review of Anne Boyd: Angklung

Neil Sorrell
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Review of New Music Vocabulary: A Guide to Notational Signs for Contemporary Music by Howard Risatti

Richard Orton
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Review of Sound Structure in Music by Robert Erickson

Dennis Smalley
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Review of Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques; Applications; and Future Directions of Sound Sculpture, Ed. John Grayson, Environments of Musical Sculpture You Can Build: Phase 1 by John Grayson, and Biofeedback and

Richard Orton
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Review of Feedback Papers 5-9

Tim Souster
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Review of Gavin Bryars: The Sinking of the Titanic; Jesus’ Blood Never Failed Me Yet, Christopher Hobbs; John Adams; Gavin Bryars: Ensemble Pieces, Brian Eno: Discreet Music, and David Toop; Max Eastley: New and Rediscovered Musical Instruments

David Roberts
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Review of Roger Doyle: Oizzo No

Keith Potter
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Review of Salzburg Seminar in American Studies

Norman Josephs
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Review of SPNM Tenth Composers’ Weekend

Andrew Bentley
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Review of Musics

Hugh Davies
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Review of Nondon Recordings/Events

Dave Panton
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Review of Bristol Musicians’ Co-Operative

Ian Menter
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Review of Contemporary Music Network

Annette Morreau
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Review of Experimental Arts Productions

Stanley Haynes
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