Vol. 2 No. 2 (2019): Decadence and Cinema

Articles

• Preface from the Editor-in-Chief

  Jane Desmarais

  i

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• Necrocinephilia, or, The Death of Cinema and the Love of Film: An Introduction by the Guest Editor

  David Weir

  ii-xv

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• Acting Aestheticism, Performing Decadence: The Cinematic Fusion of Art and Life

  Michael Subialka

  1-20

  • PDF

• Decadence on the Silent Screen: Stannard, Coward, Hitchcock, and Wilde

  Kate Hext

  21-45

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• In the Name of the Father: Paul Czinner’s Fräulein Else and the Fate of the Neue Frau

  Alcide Bava

  46-71

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• The Powerful Man: Young-Poland Decadence in a Film by Henryk Szaro

  Weronika Szulik

  72-94

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• Wrestling with Decadence: The Touchables (1968) and Swinging London Cinema of the 1960s

  Richard Farmer, Melanie Williams

  95-121

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• In the Shambles of Hollywood: The Decadent Trans Feminine Allegory in Myra Breckinridge

  Ainslie Templeton

  122-142

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• Decadence and the Necrophilic Intertext of Film Noir: Nikos Nikolaidis’ Singapore Sling

  Kostas Boyiopoulos

  143-177

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• Alla Nazimova’s Salomé: Shot-by-Shot

  David Weir

  178-246

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• Elliptical Thinking: Planetary Patterns of Thought in De Profundis

  Amelia Hall

  247-259

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• Apuleius and the Esoteric Revival: An Ancient Decadent in Modern Times

  Graham John Wheeler

  260-276

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• Review: Kate Hext and Alex Murray (eds), Decadence in the Age of Modernism (Baltimore: Johns Hopkins University Press, 2019)

  Natasha Ryan

  277-282

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• Review: Gregory Mackie, Beautiful Untrue Things: Forging Oscar Wilde’s Extraordinary Afterlife (Toronto: University of Toronto Press, 2019)

  Sandra M. Leonard

  283-286

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• Review: ‘Gluttony, Decadence, and Resistance, Embodied’, Cinema Rediscovered, Watershed, Bristol, 25–28 July 2019

  Tara Judah

  287-292

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• Decadence and Cinema: Full Issue

  David Weir

  i-298

  • PDF