Vol. 5 No. 2 (2022): Vernon Lee

Articles

• Preface

  Jane Desmarais

  i

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• Vernon Lee: Decadence, Morality, and Interart Aestheticism

  Patricia Pulham, Sally Blackburn-Daniels

  ii-viii

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• ‘Musical under the touch of the Universe’: Aesthetic Liberalism, Music, and Vernon Lee’s Essayistic Art of Resonance

  Fraser Riddell

  1-19

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• Vernon Lee’s The Ballet of the Nations: A Modern Morality, an Intermedial Mosaic

  Marco Canani

  20-39

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• From Crystal Palace to the Grand-Guignol: Vernon Lee and the First World War

  Sally Blackburn-Daniels

  40-62

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• Orientalist Aestheticism: Vernon Lee, Carlo Gozzi, and the Venetian Fairy Comedy

  Patricia Pulham

  63-82

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• Lying Down or Standing Up for Music: Hearing and Listening in Vernon Lee’s Music and its Lovers

  Michael Craske

  83-101

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• Prince Alberic and the Snake Lady

  Meta Witte

  102-106

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• Hamlet and Decadent Reimagination

  Conner Moore

  107-123

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• Screwball

  EO Gill

  124-142

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• Leopold Andrian, The Garden of Knowledge (1895): A New Translation

  Francesca Bugliani Knox

  143-148

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• Review: Mathilde Blind, Selected Fin-de-Siècle Poetry and Prose, ed. by James Diedrick (Cambridge: MHRA, 2021)

  Barbara Barrow

  149-153

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• Review: Guilherme Carréra, Brazilian Cinema and the Aesthetics of Ruins (London: Bloomsbury Academic, 2021)

  Carolina Matos

  154-159

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• Review: Brad Evans, Ephemeral Bibelots: How an International Fad Buried American Modernism (Baltimore: Johns Hopkins University Press, 2019)

  Bartholomew Brinkman

  160-164

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• Notes on Contributors

  Volupté Journal

  165-167

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• Volupté 5.2 Vernon Lee: Full Issue

  Volupté Journal

  i-167

  • PDF