International Conference of Students of Systematic Musicology

Articles

• Brain and Body Percussion: The relationship between motor and cognitive functions

  Riikka Ahokas, Birgitta Burger, Marc Thompson

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• The perception and recognition of Wagnerian leitmotifs in multimodal conditions

  Henning Albrecht, Klaus Frieler

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• The psychology of leitmotive processing in Richard Wagner’s music

  David John Baker, Daniel Müllensiefen

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• The auditory temporal attending theory revisited

  Anna-Katharina R. Bauer, Manuela Jaeger, Jeremy D. Thorne, Stefan Debener

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• Learning Elementary Musical Programming with Extempore: Translating Arvo Pärt's Fratres into Live Code Snippets

  Fabia F. A. E. Bertram

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• Timbre-based rhythm analysis

  Michael BlaàŸ

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• An acoustic analysis of bam and zil singing by female Azerbaijani mugham singers using the Long Term Average Spectrum (LTAS)

  Alexandria Sultan von Bruseldorff, Scott McCoy

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• Musical concepts as explanation for children’s musical preference in primary school age

  Nicola Bunte

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• Rhythmic entrainment, syncopation and pleasantness

  Julian Céspedes-Guevara, Nicola Dibben, Maria A. G. Witek

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• Expert improvisers in Western classical music: Perceptions, learning pathways and creative processes

  Jean-Philippe Després

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• Effects of music and alpha-wave frequencies on meditation

  Florian Eckl, Richard Parncutt

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• Musical communication of flutists in ensemble performance

  Thais Fernandes Santos, Aluizio Barbosa De Oliveira Neto, Mauricio Alves Loureiro

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• How does cognitive load affect the appearance of involuntary musical imagery (INMI)? Inducing earworms in the lab

  Georgia A. Floridou, Victoria J. Williamson, Lauren Stewart

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• Systematic musicology meets historical musicology: Quantitative indices of non-linear changes in durational variability of European art music

  Niels Chr. Hansen, Makiko Sadakata, Marcus Pearce

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• Rhythmical structures in music and body motion in Afro-Brazilian samba and Norwegian telespringar

  Mari Romarheim Haugen

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• Capturing the speed of music in our heads: Developing methods for measuring the tempo of musical imagery

  Kelly Jakubowski, Nicolas Farrugia, Lauren Stewart

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• Harmonic factors of melodic stability in oral transmission

  Berit Janssen, Peter van Kranenburg, Henkjan Honing

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• The Loudness War & Hypercompression: Quantifying the perception of compression effects

  Andreas Juwan

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• Studying Music Perceived Emotions through Facial Expressions

  Diana Kayser

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• Emotion recognition of faces and music in asperger syndrome: A crossmodal priming study

  Katharina Killy, Manuela M. Marin

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• Apprehending works of computer music through a representation of the code

  Maxence Larrieu

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• To Read or not to Read: How pianists practise to perform with music score and from memory

  Lei Na Lu

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• Fingerpicking/Fingerstyle: A Musicological Uncovering of a Neglected Guitar Technique

  Anita Mellmer

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• Exploring positive and negative empathic behavior in beginner violin-group players

  Annamaria Minafra

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• Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music

  Fabian C. Moss

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• The Relax in Pregnancy Project

  Chineze Nwebube, Lauren Stewart, Vivette Glover

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• Leadership in string quartets: paradox and possibility

  Nicola Pennill

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• Stochastic Modeling of Expressiveness: Representing the Temporal Evolution of the Descriptors Using HMM

  Gabriel Pereira Pezzini, Thiago A. M. Campolina, Maurício Álves Loureiro

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• The relation of Shared Syntactic Integration Resource Hypothesis and Syntactic Equivalence Hypothesis: Some theoretical considerations

  Patricia Pohlenz

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• Western tonal knowledge in 3- and 4-year-old children: A pilot study

  Nina Politimou, Fabia Franco

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• Ontological description of vocal production in world's music cultures – a physiological approach

  Polina Proutskova, Christophe Rhodes, Tim Crawford, Geraint Wiggins

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• The effect of musical training on auditory grouping

  Sarah Sauve, Lauren Stewart, Marcus Pearce

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• A causal involvement of the left supramarginal gyrus during the retention of musical pitches

  Nora K. Schaal, Victoria J. Williamson, Michael Banissy

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• A Comprehensive Approach in Music and Audio Analysis: Similarities in Helmut Lachenmann’s Music Compositions

  Ivan Eiji Simurra, Tiago Tavares

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• The role of attention in the perception of music structure

  Jordan B. L. Smith, Elaine Chew, Marcus T. Pearce

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• Exploring the club experience: Affective and bodily experiences of electronic dance music

  Ragnhild Torvanger Solberg

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• Perceived spaciousness in music presented through headphones, loudspeakers and wave field synthesis

  Claudia Stirnat

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• Decrypt the groove: Audio features of groove and their importance for auditory-motor interactions

  Jan Stupacher, Michael J. Hove, Petr Janata

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• Cross-cultural emotional experience in response to music

  Marco Susino

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• Why do people seek and appreciate sadness in music?

  Liila Taruffi, Stefan Koelsch

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• Motivational qualities of music in exercise

  Dietmar Tscherne

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• Measuring listeners' emotionally expressive responses to music

  Finn Upham

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• Functions of sad music in daily life: An explorative study on the influence of exposure, coping strategies and personality

  Karim Weth, Richard Parncutt

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• Adapting computational music similarity models to geographic user groups

  Daniel Wolff, Tillman Weyde

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• Engagement and burnout among music performance students

  Anna Zabuska, Jane Ginsborg, David Wasley

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